Showing posts with label jesuits. Show all posts
Showing posts with label jesuits. Show all posts

Sunday, November 4, 2012

Tattoos on the Heart: The Power of Boundless Compassion

Boyle, Greg. Tattoos on the Heart: The Power of Boundless Compassion. New York, NY:
     Free, 2010. Print.

In his 2010 book Tattoos on the Heart: The Power of Boundless Compassion, Fr. Greg Boyle, S.J. condenses twenty years of creative ministry with gang members into two-hundred pages of poignant, hilarious, heartbreaking storytelling. Boyle is the founder of Homeboy Industries, a multi-faceted gang-intervention program that provides jobs, training, tattoo removal, and most importantly, community for young men and women who are seeking new lives in East Los Angeles. Rooted in his understanding of Catholicism as faith that does justice, Boyle explores the concepts of God-image and self-image. In doing so, he specifically considers his program’s “homeboys” and “homegirls” who have been entrenched in the violence and poverty of gang culture. He also ponders questions of hope and success, acknowledging both light and darkness that he has encountered throughout his ministry. Most importantly, he promotes kinship, examining definitions of compassion, solidarity, and inclusion in light of such pain and heartache. By sharing stories of the women and men who have transformed him, Boyle reveals the power of relationship with marginalized people to bring his learned values of justice, love, and peace to life.


The impact of God-image and self-image on the establishment of peace and justice runs as a constant thread throughout Boyle’s parables. The epigraph from the gospel of Luke, “This day…with me…paradise” (Luke 23:43), immediately inserts readers into a Christian context. From the first chapter, it becomes apparent that Boyle’s spirituality—his lived experience of faith in relationship with God, others, and self—lies at the foundation of his work for justice. He writes, “…I am helpless to explain why anyone would accompany those on the margins were it not for some anchored belief that the Ground of all Being thought it was a good idea” (21). Boyle derives his images of God from a variety of sources in addition to Scripture, from Anthony De Mello to Meister Eckhart, from Dorothy Day to Algerian Trappists. They all point to a vast, inclusive, nonjudgmental God, free of human-made boundaries and full of delight in God’s beloved children.

Boyle’s stories indicate that he and the communities with whom he works mutually reveal the nature of this God to one another. Boyle, for instance, encounters God in the mother who takes seven buses to visit her son in jail (27), in the dancing “church ladies” who throw him the same surprise party every year (26), and in the Bolivian stranger who sprinkles him with rose petals following a humiliating Mass (34). The homeboys’ and girls’ images of God are inextricably linked to their images of themselves, many of which shift dramatically thanks to the Homeboy community and Boyle’s deep love for them. Their stories reveal the power of shame, an absence of self-love caused by years of internalized violence and isolation that often results in addiction (42-46). How did Jesus respond to people paralyzed by shame? Boyle wonders. He ate with them (70). Thanks to Boyle’s presence and awareness of the gang members’ goodness, one young man learns, for example, that “he is a son worth having” (31), while another realizes through prayer that God thinks he is “firme” (Spanish slang for solid, looking good) (24). The homeboys’ and girls’ narratives delineate the importance of simply being named (47), the oppression of feeling inherently “bad” (52), and the life-changing impact of believing for the first time that somebody cares about them (52, 58).

Boyle further elaborates on this notion of self-love by exploring the ways in which wounds from childhood separate gang members from belief in their sacredness. He deems the father wound “every homeboy’s homework” (91), citing one boy who is traumatized by his father’s departure at age 6 and another who walked in on his dad shooting heroin and saying, “This will be you someday” Homeboy Industries attempts to meet people where they are and make up for the love they never got from addicted, abusive, or absent parents (Ibid). It offers for many gang members their first experience of unconditional love, which has the potential to outlive the conditional relationships found within gangs (94). Homeboys’ and girls’ stories display the ability of authentic community to introduce gang members to their true, sacred selves. Boyle talks about George, for example, whose destructive patterns are entirely dismantled as soon as he is offered access to an environment that helps to connect him to his own gifts (84). Immediately following his baptism as a young adult, George is told that his brother has been killed. According to Boyle, for the first time, George’s grief resembles God’s heartbreak, not revenge. Boyle calls George’s newfound connectedness “proof of the efficacy of this thing we call sacrament,” celebrating his resilience and the power of loving relationship (86).

Along with the light of Boyle’s stories of transformation comes the darkness of hundreds of funerals for murdered gang members. Holding on to hope in the face of such tragedy, Boyle reflects on hope in the slow work of God and the meaning of success. Several encounters with resistant gang members teach him that while he cannot force someone else to desire a new life, just showing up truly can change lives (114-115). Waiting patiently and continuing to offer nonviolent outlets can help people to make the choice to change every single day (121). It can lead a gang member finally to reject violence (111) or to get a job and support his son (118-119). Still, young people kill themselves and each other every day. Remembering two particular young men, Boyle comments, “…they are comrades in despair. And their inability to care for their own lives consistently plays itself out in the abandonment of all reason and surely of all hope” (124).

Why continue, then, when hope seems scarce and success unattainable? Boyle explains that his job is to begin caring where others have stopped. He feels called to live his faith by staying committed to people who everyone else would have fired. For Boyle, success need only come as a byproduct of fidelity (178). Working for justice is about disrupting the human-made categories that make us hate and exclude; it is not about sharing “success stories” (186). Boyle asserts, “Sooner or later, we all discover that kindness is the only strength there is” (124). He recalls hearing a gang member at a juvenile camp read 1 Corinthians 1:1-13. For the first time, he hears, “Love never fails,” and he believes it (124). Holding on to those small glimmers of love and hope ignites a spark that reminds human beings that light is better than darkness (127-128).

This hope-filled love is integral to Boyle’s understanding of compassion, which, a lifelong inmate teaches him, is synonymous with God. Boyle’s friendship with this prisoner evinces compassion’s call for people to spread lasting loving-kindness as Jesus did (62). Critical to Boyle’s definition of compassion are forgiveness and empathy, gifts that are especially difficult to extend to people who kill one’s friends. Boyle describes these broken killers as “Sheep without a shepherd. And no less the real deal. But for lack of someone to reveal the truth to them, they had evaded healing and the task of returning them to themselves got more hardened and difficult. But are they less worthy of compassion…? (66)” Boyle displays a deep connection to Jesus, who inspires him to love enemies and be with victimizers as well as victims. For Boyle, Jesus was not just a “man for others”; Jesus was a “man with others,” working for kinship with them rather than just offering service (71-72). In order to build a beloved community, Boyle asserts, people must strive to break down the illusion of separateness to achieve solidarity (71-72, 80).

Though I found myself completely engrossed throughout this entire book, I resonate most with Boyle’s emphasis on solidarity. In the sixth chapter, entitled “Jurisdiction,” Boyle tells a story about a scrawny, friendly, consistently shirtless, alcoholic man named Junior, who he sees leaning out his window every day on the way to work. Despite innumerable attempts to help lead Junior to sobriety, Boyle cannot succeed. Nevertheless, every single day, the two men share a joyful greeting. One day while passing, Boyle is surprised not to see Junior at the window. Moments later, however, he hears Junior shout after him, “I love you, G-Dog! [...]You’re in my…jurisdiction.” Boyle creatively unpacks this encounter and challenges readers to see that we are all in each other’s jurisdictions all the time (129).

As we strive to believe this notion, I wonder, too, how we truly can come to see God as a model of expansive acceptance that we can imitate in our own lives. How, specifically, can we break down barriers that separate us? As a Catholic in an institution that has become increasingly infamous for its lack of inclusion and equity, I am grateful for the gift of Boyle’s images of God. Keeping the character of this all-loving God in mind inspires me to remember that God is always bigger than I ever could imagine. With roots in such a God, I feel empowered to be fully present to people living on the margins. Boyle references Dean Brackley, S.J.’s concept of “downward mobility,” standing in solidarity with the marginalized as an act of protest. I applaud this suggestion, particularly for middle- and upper-class, white, educated Americans in whom autonomy and upward mobility have been so strongly inculcated. I agree wholeheartedly with Boyle’s assertion that the margins cannot just be erased by the powers-that-be (177). I believe Boyle and I would agree that only creative modeling of kinship in communities has the potential to move oppressors in that direction.

I would like to challenge Boyle, as an exemplar in the realm of social justice, to more deeply explore some of his key themes on a larger scale. Boyle asks, for gang members, how to dismantle the groupthink that makes them believe that they are who they hate (129-130). I appreciate the ways in which this simple concept—“We are all in each other’s jurisdictions all the time”—can be taken from the micro level of one interpersonal relationship and expanded. It is often socially accepted in our schools, cities, country, and world to define ourselves by who we hate. How much easier is it at times to articulate what we are against rather than what we are for? I find myself imagining what the world would be like if individuals were to consider universal jurisdiction in their homes, if families were to do so in their neighborhoods, if neighborhoods were to do so in their cities, and so on, until this universal jurisdiction could become the status quo for international relationships. This simple idea could even revolutionize the way human beings treat the planet. How can we create a world in which people realize that every living thing is in the same jurisdiction all the time?

I am intrigued by a comment that Boyle makes in his final chapter, in which he challenges Dorothy Day, who he admires a great deal. Day asserted that ministering to slaves is not enough. To work for justice, she believed that people must try to change the social order and end slavery as well. Boyle disagrees and suggests that accompanying the slaves and living in solidarity with them are paramount. In Boyle’s view, accompaniment leads to the dismantling of the system, and kinship requires more than strategizing (173). Knowing about Day’s life of voluntary poverty and self-giving, I am not altogether convinced that the two exemplar’s views are very different. Still, if Boyle is opposed to the intentional undoing of systemic injustice, I would have to agree with Day. Both approaches—solidarity and social action—serve critical needs in the breaking down of unjust systems, structures, and relationships.

Greg Boyle lives in the world as a real and radical disciple of Jesus whose humor, passion, and courage will touch anyone open to the unique gift of Tattoos on the Heart. By engaging issues of self-image and God-image, hope and success, and compassion and kinship, Boyle inspires people from the inside out to encounter the astounding potential for goodness in God, in themselves, and in one another. With such a foundation, human beings truly have the ability to change the world. Boyle’s life embodies these adapted words of Mother Teresa, who believed that “Kinship results when we realize that we belong to each other” (187).

© 2012 Katie Davis

Monday, October 8, 2012

Jesuits, Drama, and Foolish Wisdom

Back in April, I had the privilege of serving as a leader on a retreat with Charis Ministries, the Chicago-based Ignatian retreat ministry for young adults. On this retreat, called “Spirit@Work,” I was blessed to work briefly with Charis’ founder, the oh-so-talented Fr. Michael Sparough, SJ. A spiritual director, writer, lecturer, actor and stage director, Fr. Michael has blazed trails in the arts and ministry, using his gifts and passions to help people encounter the power of the Gospel. (There are few priests out there who can incorporate two stage falls and an apple-juggling routine into a talk and THEN offer a profound Reconciliation experience to boot...just saying.) Therefore, I was beyond excited a few weeks back to hear that Fr. Michael would be presenting on the history of Jesuits and drama as part of the Loyola University Museum of Art’s Tea with the Jesuits series. 


Fr. Michael began with a story about the Shakespearean idea of the itinerant fool embodied in former Jesuit Ken Feit. Feit’s storytelling, sound poetry, and “foolish wisdom” creatively eased tensions and conveyed truth during difficult times. In fact, Sparough was able to experience Feit’s tactics firsthand back in the 1970s as Jesuits dealt with the potential closing of a certain (now thriving!) high school that is particularly close to my heart these days.

Sparough said that something had leapt in his soul that day, like John the Baptist in Elizabeth’s womb. “I didn’t know what it was, but I knew I had to know this man and what he was doing.” Foolish wisdom was a different experience of God’s grace than the heady, logical understanding he had known previously, and he yearned to go deeper.

Sparough then brought us back into the life of St. Ignatius himself, a man of his age who valued logic...as well as womanizing, gambling, and dueling, of course. Beyond his intellect, though, and as his life was transformed, Ignatius gained an awareness that in God, all things, all gifts, are good. Ignatius’ view of our giftedness in Christ can be found in John 10:10: “I came that they might have life, and have it abundantly.” He had a mystical knowing that there is unity and harmony in the world.

Without feelings and imagination, art is meaningless. Likewise, Ignatian spirituality calls people to engage both feelings and imagination to come into God’s presence. How can we, for example, encounter Jesus in Scripture? Ignatius challenges us to put ourselves into the stories and write our own scripts. T.S. Eliot writes, “We had the experience, but lost the meaning.” How can we become more aware of the meaning in our daily experiences? How can we know where the Spirit is working throughout our days? We can do an Examen, a way of looking back over the past 24 hours and doing essentially what Sparough asserts is the process of art: sifting and sorting, remembering and savoring, feeding it back and saying, This is what it means to me.

For Sparough, theatre is a vision of the Body of Christ. Unlike many other modes of art, theatre is not something that can be done alone. It is about collaboration and seeking unity. Theatre can be a reflection of the Trinity, divine unity and separation of personality. Yes, God is in all things, but as you come to find God, Sparough cautioned, don’t do it alone!

Sparough also stressed the Jesuit ideal of excellent education. Our education is not just about us, he explained; it’s about the magis. He traced the history of the earliest Jesuit dramas in 1551 and their spreading throughout Rome in 1565. By 1599, Jesuit pedagogy made participation in drama compulsory for students. Plays were performed in Latin, with music and dance and an emphasis on visual and technical sophistication. Through 1773, missionaries used drama to evangelize and teach. Drama and music both provided an accessible framework to help people come to know God.

Sparough shared about his transformative experiences in Rome at the Jesuit Institute of the Arts, which was founded by Jesuit author, historian, musicologist and linguist CJ McNaspy, SJ. McNaspy had a vision to call Jesuits from around the world who are involved in the arts to collaborate during summers. He stressed the importance of making the arts more accessible to “common folk” and prized the development of the human instrument over expensive theatre. During this time, Sparough also was impacted by the musicals Jesus Christ Superstar and Godspell, through which he encountered Jesus as the Holy Fool.

Through the Institute, it was determined that the Jesuits have five primary goals in their work in the arts (paraphrased):
1) To illustrate AMDG (ad majorem Dei gloriam -- for the greater glory of God)
2) To teach/evangelize humanity
3) To lead young people to Christian lives
4) To lead artists to a Christian lives
5) To focus on Christ as the inspiration and goal of all art

At a meeting with the Jesuits in Rome, Pedro Arrupe, SJ proclaimed, “You [Jesuit artists] are the fortunate ones. You speak and all listen, all understand. More than the preacherʼs word, it is the musicianʼs touch that is bringing the youth to God again. More than the politician, it is the folk singer who draws the races hand in hand. Heart speaks to heart in mysterious ways, and it is the artist who holds the key to the mystery. He can touch the wellsprings of the human heart, and release energies of the soul that the rest of the world does not suspect.”

As Sparough shared about the beauty of his years working with high school drama students, I am reminded of ways in which I can and hope to incorporate my love of drama into my ministries with young people. As I think about my own experiences in the arts and in ministry, I know the stir to which he referred -- the leaping in the soul that says “I don’t know exactly what this is yet, but I know there’s something in it for me.” So in this phase of excitement, confusion, and possibility, I will engage the gifts of prayer and discernment that Ignatius left for the fool in me.



Fellow YPTW alum and TONY AWARD NOMINEE JOSH YOUNG

Stay tuned for more on Fr. Michael’s screenplay of the book The The Gift of Peace, which chronicles the life of beloved former Cardinal Archbishop of Chicago, Joseph Bernadin.

© 2012 Katie Davis

Monday, September 3, 2012

Bit by Bit, Putting it Together

When I first moved to Houston to begin Jesuit Volunteer Corps three years ago (gulp!), I began sending epic monthly(ish...) updates to friends and family, chronicling in far-too-great detail my experiences in Texas. As I navigated my journey living in intentional community with five strangers-turned-family and working at Cristo Rey Jesuit College Preparatory School of Houston, I was eager to process and share stories. In retrospect, I recognize that I was feeling compelled to communicate the ways in which I felt God working in my life with the amazing people who had revealed that love to me at home, in high school at Merion, and in college at CUA. "Blogging" via e-mail helped keep me connected to my loved ones in a unique way, and I always was deeply grateful for the responses I would receive from folks who wanted to offer their support and their own stories; in the midst of an incredibly beautiful, transformative year, I stilled missed people a great deal.

While I continued a similar pattern throughout another major transition into my first year in JVC Magis in Chicago (with KD's Windy City Blaga; blog + saga = blaga, of course), the balancing act of graduate school, 30 hours a week of Youth Ministry, and community life eventually took a toll on my commitment to sharing my reflections regularly. While I often thought about getting back into the swing of writing and sharing, in my mind, I made the task seem far too daunting to catch up on!

These past few months, however, have been full of transition, excitement, challenge, and JOY, and I am finding myself drawn to processing in this fashion once again, this time with a few particular goals in mind. Regarding transition, I recently finished my two-year commitment in Youth Ministry in Cicero (about which you surely will hear more in later posts!). I still am grieving the loss of the wonderful community of young people with whom I was so blessed to work; they have been such a gift in my life these past two years. Nevertheless, I am thrilled to be spending my final year in Magis in the ministry department of an incredible high school, surrounded by bright, passionate, and supportive colleagues. The "honeymoon phase" continues for now, but so be it! Additionally, my awesome community mate with whom I have lived for two years has graduated and moved on, and we have welcomed a lovely lady to join our new, all-female community for this year. Change is upon us, and life is good!

The component of my life that most directly brought me to blogging is my final year of the Master of Divinity program at Loyola University Chicago's Institute of Pastoral Studies. Last week, I passed my candidacy exam, a process that allowed me to look back over my first two years of grad school and ministry, identify areas of growth, challenge, and significant insight, and more clearly articulate my ministry focus for the remainder of the program and beyond. As you can probably tell from the blog's title (and if you know me, from my strange little journey so far), I am interested in exploring connections among the arts, spirituality, and social justice. This semester, I will be doing a guided study around those themes, a survey course that I hope to use as a springboard for my final M.Div. project as well as future ministerial and academic endeavors. I hope that this blog will be a primary venue for me to brainstorm, flesh out, and integrate my course readings, lived experience, and past and present ministerial encounters. For those of you who might be interested, here is an excerpt from the course description that I co-created with my professor:

"This course is designed to explore the intersection of the arts (theatre and music specifically), spirituality, and social justice, especially as that mix is relevant for passing on the faith. Narrative, ritual, transformation, vulnerability, sacrament, liberation, history, aesthetics, psychology, and education all emerge as critical components of this mix, and as lenses through which this the combination can be harvested in service to the new evangelization. The task of this guided study is to name more specifically how each of these discourse arenas is relevant to further exploration at the intersection of the theatre/music, spirituality and social justice in order to create a heuristic for further study. In doing so, I also intend to discover the cross-fertilization that has already occurred with regard to these various fields."

So there's that.

In any case, I am excited to do some reflecting/journaling here, to get some feedback from anyone who'd be interested in sharing, and to keep working toward some sort of understanding of this connection that I know in my gut and heart and mind to be very real and very powerful. If you don't believe me, check out this tried and true gem.

Just kidding. Or am I? Stay tuned to find out!

Additionally this semester, I will be taking two other courses in which our professors have encouraged creative modes of reflecting and sharing with fellow students and colleagues -- Foundations of Social Justice and Hearts on Fire, a course on Ignatian Spirituality -- as well as a class called Social Context. So I am hoping that this blog will be a place where I can starting putting it together.

Lastly, since it's me, I probably will be sharing some fun and/or ridiculous personal anecdotes and updates as life moves forward. As of now, my amazing sister Allison has been a JV in Sacramento for three weeks, and I could not be prouder of the great work she is doing with Sacramento Loaves and Fishes' Friendship Park. I am also ridiculously excited about the upcoming nuptials of my best friend Christina and her fabulous fiance Thomas. Best of all, I will get to spend Thanksgiving with my family and celebrate pre-wedding festivities with the bridesmaids that weekend. P.S. When did I get old?!

I hope this blog will provide an opportunity to connect or reconnect with some of you who I have been missing as life speeds by! Please feel free to leave a comment or shoot me an e-mail privately. Thanks for reading! Have a wonderful week.

Peace,
KD

© 2012 Katie Davis